Avril is married to Sum 41 lead singer Deryck Whibley, and in this song she expresses how she feels when they are apart, something that happens a lot when they are each touring. (thanks, sarah - raliegh, VA)
Avril Lavigne performing When You're Gone YouTube video
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I always needed time on my own
I never thought I'd need you there when I cry
And the days feel like years when I'm alone
And the bed where you lie is made up on your side
When you walk away I count the steps that you take
Do you see how much I need you right now
[Chorus]
When you're gone
The pieces of my heart are missing you
When you're gone
The face I came to know is missing too
When you're gone
The words I need to hear to always get me through the day and make it ok
I miss you
I've never felt this way before
Everything that I do reminds me of you
And the clothes you left, they lie on the floor
And they smell just like you, I love the things that you do
When you walk away I count the steps that you take
Do you see how much I need you right now
[Chorus]
We were made for each other
Out here forever
I know we were, yeah
All I ever wanted was for you to know
Everything I'd do, I'd give my heart and soul
I can hardly breathe I need to feel you here with me, yeah
The song's music video was directed by Marcus Raboy and shot in 3D. Lavigne explained the clip in an interview with MTV News; "It's kind of a guy chasing me around, and I hop into a random cab, and he's chasing me. And I go through a clothing store and he chases me, but at the end of the video, it's really just me having a bunch of fun with him, and he's my boyfriend, so I like him in the end." The singer added: "My favorite part of the video is the rock-out scene at the end where I jump onstage and I'm with my band. When we shot it and I got to watch it back in 3D with the glasses and actually you can see the crowd's hands and it felt like you were live in a crowd, so it was kind of cool."
A more technical analysis of the video came from the editor Jerry Steele, who told the trade publication Studio Daily that it was done on a Quantel Pablo 4K editor, and could be seen only on 3Net Channel and certain stores displaying the technology. Look for more artists to follow Avril's lead, however, as Steele points out: Music videos have always represented a creative playground for directors and talent, and it's where we expect the most exciting 3D to emerge."
This song addresses the topic of patriotism. Frontman and chief songwriter Billie Joe Armstrong told Q magazine May 2009: "It brings up 21st Century Breakdown in a lot of ways, and the 21 gun-salute for someone that's fallen, but done in an arena rock 'n' roll sort of way."
Green Day performing 21 Guns YouTube video
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Do you know what's worth fighting for? When it's not worth dying for? Does it take your breath away And you feel yourself suffocating?
Does the pain weigh out the pride? And you look for a place to hide? Did someone break your heart inside? You're in ruins
One, 21 guns Lay down your arms, give up the fight One, 21 guns Throw up your arms into the sky, you and I
When you're at the end of the road And you lost all sense of control And your thoughts have taken their toll When your mind breaks the spirit of your soul
Your faith walks on broken glass And the hangover doesn't pass Nothing's ever built to last You're in ruins
One, 21 guns Lay down your arms, give up the fight One, 21 guns Throw up your arms into the sky, you and I
Did you try to live on your own When you burned down the house and home? Did you stand too close to the fire Like a liar looking for forgiveness from a stone?
When it's time to live and let die And you can't get another try Something inside this heart has died You're in ruins
One, 21 guns Lay down your arms, give up the fight One, 21 guns Throw up your arms into the sky
One, 21 guns Lay down your arms, give up the fight One, 21 guns Throw up your arms into the sky, you and I
The music video was shot in Los Angeles with director Shane Drake, who previously directed the group's clips for "Nine in the Afternoon" and "I Write Sins Not Tragedies." The clip runs through traditions of mourning and stages a funeral in an alternative universe. The video's concept is partly about saying goodbye to the band's past and bears many similarities to the "I Write Sins Not Tragedies" promo, from the church setting to various camera shots (the dusty top hat resting on a church pew is the same one for "Sins"). "When we were talking about the concept, somebody had the idea to kind of tie in to the beginning of the 'Sins' video, and we realized it would work with it," Spencer Smith told MTV News. Another nod to the band's past is that the clocks on the wall are all set to nine o'clock, in honor of their "Nine In The Afternoon" video.
Panic! At The Disco performing Ballad of Mona Lisa YouTube video
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She paints her fingers with a close precision
He starts to notice empty bottles of gin
And takes a moment to assess the sins she’s paid for
A lonely speaker in a conversation
Her words were swimming through his ears again
There's nothing wrong with just a taste of what you've paid for
Say what you mean
Tell me I'm right
And let the sun rain down on me
Give me a sign
I want to believe
Woah, Mona Lisa,
You're guaranteed to run this town
Woah, Mona Lisa,
I'd pay to see you frown
He senses something, call it desperation
Another dollar, another day
And if she had the proper words to say,
She would tell him
But she'd have nothing left to sell him
Say what you mean
Tell me I'm right
And let the sun rain down on me
Give me a sign
I want to believe
Woah, Mona Lisa,
You're guaranteed to run this town
Woah, Mona Lisa,
I'd pay to see you frown
Mona Lisa wear me out
Pleased to please ya
Mona Lisa wear me out
Say what you mean
Tell me I'm right
And let the sun rain down on me
Give me a sign
I want to believe
Woah, Mona Lisa,
You're guaranteed to run this town
Woah, Mona Lisa,
I'd pay to see you frown
Say what you mean
Tell me I'm right
And let the sun rain down on me
Give me a sign
I want to believe
There's nothing wrong with just a taste of what you've paid for
Caillat told PopEater that though the protagonist is declaring she wants to raise a family and spend the rest of her life with the one she loves, the song is not about getting hitched. Said the Bubbly singer: "People think the song is about getting married and saying "I do" at the wedding, but it's not. If you listen to the end I say, 'I do love you,' and it's about getting ready to tell that person you're in love with them."
Colbie Caillat performing I Do YouTube video
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It's always been about me, myself, and I
I thought relationships were nothing but a waste of time
I never wanted to be anybody's other half
I was happy saying I had a love that wouldn't last
That was the only way I knew 'til I met you
You make me wanna say
I do, I do, I do, do do do do do do doo
Yeah, I do, I do, I do, do do do do do do doo
Cause every time before it's been like
Maybe yes and maybe no
I can't live without it, I can't let it go
Ooh what did I get myself into?
You make me wanna say I do, I do, I do, I do, I do, I do,
Tell me is it only me
Do you feel the same?
You know me well enough to know that I'm not playing games
I promise I won't turn around and I won't let you down
You can trust I've never felt it like I feel it now
Baby there's nothing, there's nothing we can't get through
So can we say
I do, I do, I do, do do do do do do doo
Oh baby, I do, I do, I do, do do do do do do doo
Cause every time before it's been like
Maybe yes and maybe no
I won't live without it, I won't let it go
What more can I get myself into?
You make me wanna say
Me, a family, a house, a family
Ooh, can we be a family?
And when I'm eighty years old I'm sitting next to you
And we'll remember when we said
I do, I do, I do, do do do do do do do
Oh baby, I do, I do, I do, do do do do do do do
Cause every time before it's been like
Maybe yes and maybe no
I won't live without it, I won't let us go
Just look at what we got ourselves into
You make me wanna say I do, I do, I do, I do, I do, I do,
Caillat told Elle about the song's music video: "Bobby Moynihan from SNL plays my love interest, and the whole video is about this guy who's not my type, but he does all these dorky things on our date that somehow impress me. So he picks the roses from my garden instead of buying me flowers. And then we're going to go surfing and he almost hits me over the head with the surfboard. And he also has this really funny fantasy dream where he's dressed all 'Guido' in white shoes and his chest is showing and I'm in this ridiculous bathing suit with huge hair and we're dancing at a DJ party on the beach. It's just a funny, silly video."
Colbie Caillat performing Fallin' For You YouTube video
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Bad Meets Evil is an American Hip Hop duo comprising Eminem and Royce da 5'9. The pair first teamed up in the late '90s when they were underground Detroit MC's. After releasing a few recordings, the rappers pursued solo careers after their initial work together and became embroiled in a feud. After reconciling they revived their project a decade later and released their Hell: The Sequel EP on Shady/Interscope Records on June 14, 2011.
Bad Meets Evil performing Lighters ft. Bruno Mars YouTube video
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[Bruno Mars]
This one’s for you and me, living out our dreams
We’re all right where we should be
Lift my arms out wide I open my eyes
And now all I wanna see
Is a sky full of lighters
A sky full of lighters
[Eminem]
By the time you hear this I will have already spiralled up
I would never do nothing to let you cowards fuck my world up
If I was you, I would duck, or get struck like lightening,
Fighters keep fighting, put your lighters up, point em’ skyward uh
Had a dream I was king, I woke up, still king…
This rap game’s nipple is mine for the milking,
Till nobody else even fucking feels me, till’ it kills me
I swear to god I’ll be the fucking illest in this music
There is or there ever will be, disagree?
Feel free, but from now on I’m refusing to ever give up
The only thing I ever gave up’s using no more excuses
Excuse me if my head is too big for this building
And pardon me if I’m a cocky prick but you cocks are slick
Poppin shit on how you flipped ya life around, crock-o-shit
Who you dicks try to kid, flipped dick, you did the opposite
You stayed the same, cause cock backwards is still cock you pricks
I love it when I tell em shove it
Cause it wasn’t that long ago when Marshall sat, luster lacked, lustered
Cuz he couldn’t cut mustard, muster up nothing
Brain fuzzy, cause he’s buzzin’, woke up from that buzz
Now you wonder why he does it, how he does it
Wasn’t cause he had buzzards circle around his head
Waiting for him to drop dead, was it?
Or was it, cause them bitches wrote him off
Little hussy ass, cause fuck it, guess it doesn’t matter now, does it
What difference it make?
What it take to get it through your thick skulls
As if this ain't some bullshit
People don’t usually come back this way
From a place that was dark as I was in
Just to get to this place
Now let these words be like a switch blade to a haters rib cage
And let it be known from this day forward
I wanna just say thanks cause your hate is what gave me the strength
So let em bic’s raise cause I came with 5’9′ but I feel like I’m 6’8″
[Bruno Mars]
This one’s for you and me, living out our dreams
We’re all right where we should be
Lift my arms out wide I open my eyes
And now all I wanna see
Is a sky full of lighters
A sky full of lighters
[Royce Da 5'9"]
By the time you hear this I’ll probably already be outtie
I advance like going from toting iron to going and buying 4 or 5 of the homies the iron man Audi
My daddy told me slow down, boy, you goin to blow it
And I ain't gotta stop the beat a minute
To tell Shady I love him the same way that he did Dr Dre on the Chronic
Tell him how real he is or how high I am
Or how I would kill for him for him to know it
I cried plenty tears, my daddy got a bad back
So it’s only right that I right till he can march right into that post office and tell em to hang it up
Now his career’s Lebron’s jersey in 20 years
I’ll stop when I’m at the very top
You shitted on me on your way up
It’s ’bout to be a scary drop
Cause what goes up must come down
You going down on something you don’t wanna see like a hairy box
Every hour, happy hour now
Life is wacky now
Used to have to eat the cat to get the pussy
Now I’m just the cats meooww, ow
Classic cow, always down for the catch weight like Pacquiao
Ya’ll are doomed
I remember when T-Pain ain't wanna work with me
My car starts itself, parks itself and autotunes
Cause now I’m in the Aston
I went from having my city locked up
To getting treated like Kwame Kilpatrick
And now I’m fantastic
Compared to a weed high
And y’all niggas just gossipin’ like bitches on a radio and TV
See me, we fly
Y’all buggin out like Wendy Williams staring at a bee-hive
And how real is that
I remember signing my first deal and now I’m the second best I can deal with that
Now Bruno can show his ass, without the MTV awards gag
[Bruno Mars]
You and I know what it’s like to be kicked down
Forced to fight
But tonight we’re alright
So hold up your light
Let it shine
Cause this one’s for you and me, living out our dreams
